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Born in Melrose,
Massachusetts, 1965.
Education:
Beaux Arts, Rouen, France;
La Napoule Art Foundation, La Napoule, France, 1985.
Cooper Union, NYC, NY, B.F.A., 1987.
New York Academy of Art, NYC, NY, 1988.
Lives in New York City.
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1995 |
Distensions, Silverstein
Gallery, NYC, NY. |
1996 |
Silverstein Gallery, NYC, NY. |
1998 |
Silverstein Gallery, NYC, NY. |
1999 |
Devil's Fudge Falls,
I-20 Gallery, NYC, NY. |
2000 |
Mary Boone Gallery, NYC, NY. |
2001 |
Mary Boone Gallery, NYC, NY.
Jablonka Galerie, Koln, Germany. |
2002 |
Mary Boone Gallery, NYC, NY.
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2003 |
Galerie Daniel Templon, Paris,
France.
Mario Diacono Gallery, Boston, Massachusetts. |
2004 |
Mary Boone Gallery, NYC, NY. |
2005 |
New Paintings and Works on
Paper, Michael Kohn Gallery, Los Angeles, California. |
2007 |
Drawings, Glenn Horowitz
Gallery, East Hampton, New York. |
2008 |
Baldwin Gallery, Aspen, Colorado. |
2009 |
Mary Boone Gallery, NYC, NY.
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2010 |
Will Cotton: Monoprints, Pace
Prints Chelsea, NYC, NY.
Will Cotton: Paintings, Galerie Daniel Templon, Paris, France. |
2011 |
Michael Kohn Gallery, Los Angeles,
California. |
2012 |
Mary Boone Gallery, NYC, NY.
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1994 |
Invitational Exhibition,
Silverstein Gallery, NYC, NY. |
1995 |
Mad River Post, NYC,
NY.
95°, Silverstein Gallery, NYC, NY.
Way Cool, Exit Art, NYC, NY. |
1996 |
Menu du Jour, Silverstein
Project Space, NYC, NY.
The January Show, Silverstein Gallery, NYC, NY.
Toy's, Gallery Camino Real, Boca Raton, Florida.
Splash, Monique Knowlton Gallery, NYC, NY.
Image of Self, Schick Art Gallery, Skidmore College, Saratoga,
New York. |
1997 |
Works on Paper, Annina
Nosei Gallery, NYC, NY.
Importance of Toys, Monique Knowlton Gallery, NYC, NY. |
1998 |
Marketplace of Ideas: Culture
Jamming in the Visual Arts, Wriston Art Center, Laurence University,
Appleton, Wisconsin. |
1999 |
A room with a view,
Sixth @ Prince Fine Art, NYC, NY.
Will Cotton and Stuart Elster, Tate, NYC, NY. |
2000 |
The Darker Side of Playland:
Childhood Imagery from the Logan Collection, San Francisco
Museum of Modern Art, San Francisco, California.
Emotional Rescue: The Contemporary Art Project Collection, Center
on Contemporary Art, Seattle, Washington. |
2003 |
Giverny, Salon 94, NYC,
NY. |
2004 |
The Big Eat: From Pop till
the Present, Kunsthalle Bielefeld, Bielefeld, Germany.
Drawings: Summer 2004, Lucas Schoormans Gallery, NYC, NY.
Hors d'œuvre: Ordre et Désordres de la Nourriture,
capc Musée d'art contemporain de Bordeaux, Bordeaux, France. |
2006 |
Why the Nude? Contemporary
Approaches, The Art Students League of New York, NYC, NY.
The Food Show: The Hungry Eye, Chelsea Art Museum, NYC,
NY. |
2007 |
Timer .01: Intimità/Intimacy,
Triennale Bovisa, Milan, Italy.
In Monet’s Garden: The Lure of Giverny, Columbus
Museum of Art, Columbus, Ohio.
I Want Candy: The Sweet Stuff in American Art, Hudson River
Museum, Yonkers, New York.
Abbondanza, Salvatore Ferragamo Gallery, NYC, NY. |
2008 |
In Monet’s Garden:
The Lure of Giverny, Musée Marmottan, Paris, France.
WALL ROCKETS: Contemporary Artists and Ed Ruscha, FLAG Art
Foundation, NYC, NY. |
2009 |
Dilletants, Dandies and Divas,
Gavlak Gallery, West Palm Beach, Florida.
Talk Dirty to Me, Larissa Goldston Gallery, NYC, NY.
WALL ROCKETS: Contemporary Artists and Ed Ruscha, Albright-
Knox Art Gallery, Buffalo, New York.
Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana,
Cuba.
Transitions, Collezione Maramotti, Reggio Emilia, Italy.
A Tribute to Ron Warren, Mary Boone Gallery. NYC, NY. |
2010 |
Think Pink, Gavlak Gallery,
Palm Beach, Florida.
Heads or Tails, Mary Ryan Gallery, NYC, NY.
Divine Comedy, Sotheby’s, NYC, NY.
25th Anniversary Show, Michael Kohn Gallery, Los Angeles, California. |
2011 |
Inside the Painter’s Studio, Stephen D. Paine Gallery, Massachusetts College of Art and Design, Boston, Massachusetts.
Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, Ohio.
The Pavement and the Beach, Paradise Row Gallery, London, England.
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| Levin, Kim, Voice
Choices: William Cotton, THE VILLAGE VOICE, 20 December 1994.
Servetar, Stuart, William Cotton, NEW YORK PRESS, 18 April
1995.
Mastock, John, Despite price, art retains risk in latest shows,
TAMPA TRIBUNE, 4 June 1995.
Servetar, Stuart, William Cotton, NEW YORK PRESS, 20 March
1996.
Levin, Kim, Voice Choices: William Cotton, THE VILLAGE
VOICE, 26 March 1996.
Levin, Kim, Voice Choices: especially recommended, THE
VILLAGE VOICE, 24 November 1996.
Jaeger, William, 'Images' is beautiful and intelligent,
ALBANY TIMES UNION, 8 December 1996.
Mumford, Steve, William Cotton, REVIEW, December 1998.
Johnson, Ken, William Cotton, THE NEW YORK TIMES, 4 December
1998.
Staff, William Cotton, THE NEW YORKER, 21 December 1998.
Staff, William Cotton, TANK, September 1999, pp. 168-171.
Frimbois, Jean-Pierre, New York New Wave, ART ACTUEL, March
2000, pp. 10-15.
Hass, Nancy, Stirring Up the Art World Again, THE NEW YORK
TIMES, 5 March 2000, pp. ST1, ST4.
Smith, Roberta, Will Cotton, THE NEW YORK TIMES, 10 March
2000, p. E41.
Hunt, David, Will Cotton, TIME OUT NEW YORK, 16 March 2000,
p. 81.
Vincent, Steven, The Temporary Contemporary of Linda Farris,
ART & AUCTION, 1 April 2000, p. 38.
Leffingwell, Edward, Will Cotton at Mary Boone, ART IN
AMERICA, May 2000, p. 158.
Chambers, Christopher, Will Cotton, FLASH ART, May 2000,
pp. 116-117. (illus: "Cream", p. 117, B/W).
Sillman, Amy, New York e-Mail: Will Cotton at Mary Boone,
ART ISSUES, June 2000, p. 40.
Bensinger, Ken, High-Tech Execs Become Virtual Art Collectors,
THE WALL STREET JOURNAL, 7 July 2000, p. W3.
Staff, Will Cotton, THE NEW YORKER, 7 May 2001,
p. 19.
Walen, Audrey, Will Cotton Candy, NY ARTS, May 2001, p.
69.
Darwent, Charles, Let Them Paint Cake, MODERN PAINTERS,
July 2001, p. 102.
Giuliano, Charles, The Young and the Restless: Delia Brown,
Will Cotton, Tim Gardner, Hilary Harkness, and Damian Loeb,
NY ARTS, July 2001, pp. 70-71.
Johnson, Ken, Will Cotton, THE NEW YORK TIMES, 27 September
2002, p. E32.
Drolet, Owen, Will Cotton, FLASH ART, November 2002, p.
101.
Jana, Reena, Sweet Deal, ART NEWS, December 2003, p. 27.
Greene, Rachel, and Andy Comer, The New Nude: Will Cotton,
VITALS, September 2004, p. 84.
Powers, Bill, Art: 100% Cotton, BLACK BOOK, September 2004,
p. 64.
Cohen, David, Animated Awkwardness & Academic Cotton Candy,
THE NEW YORK SUN, 16 September 2004, pp. 1, 19.
Korotkin, Joyce, Will Cotton, THE NEW YORK ART WORLD, October
2004, pp. 9-10.
Saltz, Jerry, Critical Call, THE VILLAGE VOICE, 6 October
2004, p. 151.
Staff, Will Cotton, THE NEW YORKER, 11 October 2004, p.
21.
Nakamura, Marie-Pierre, Will Cotton, ART ACTUEL, November
2004, pp. 64-65.
Kino, Carol, Go Figure, THE NEW YORK TIMES, 17 April 2005,
pp. AR1, AR26.
Oliva, Andrés, Will Cotton: Welcome to Cottonland,
BELIO MAGAZINE (Madrid), January 2006, pp. 31-36, 133-134.
Dambrot, Shana Nys, Los Angeles: Will Cotton, MODERN PAINTERS,
February 2006, p. 112.
Ford, Tom, Crowning Glory: Tom Ford on Will Cotton, BLACKBOOK,
October 2006, p. 66-67.
Dignan, Stephen, Naked Ambition, THE NEW YORK SUN, 14 April
2008, pp. 1, 14.
Adam Stennett in Conversation with Will Cotton, WHITEHOT
MAGAZINE, December 2008, pp. 40-45.
Eden, Laura, Will Cotton, ELLE DÉCOR, March 2009, p.
58.
Staff, Will Cotton’s Sweet Dreams, DEUTSCHE GUGGENHEIM
MAGAZINE, March 2009, p. 28.
Frankel, David, Will Cotton, ARTFORUM, May 2009, pp. 233-234.
Honigman, Ana Finel, Cotton’s Candy, SLEEK (Berlin), November
2009, pp. 62-67. (illus: Rachel, Cover, C).
Orden, Erica, Local Fine Artists Go Pop, THE WALL STREET JOURNAL, 28 July 2010, p. A25.
Gregg, Gail, Nothing Like the Real Thing, ART NEWS, December 2010, pp. 68-71. (illus: Cotton Candy Katy, Cover, C).
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